My lifelong passion for papier mâché began on a Fine Art university course, back in 1989. It was here that I discovered the innate, versatile qualities of a recycled material that afforded me to sculpt freely.
Its substance emanates finesse and simplicity, although composed of modest materials – yet with complex treatment it can be taken to the other extreme, when it is rendered strong but lightweight. It is a medium of subtle and surprising contradictions.
Nowadays, something made from papier mâché is presumed to be non-precious and possibly unrefined or artless. I am drawn to this commonplace medium for that very reason – the notion that the familiar, freely accessible things which we use on a daily basis are as notable and meaningful as the rare and extraordinary.
Placing more value on the fragile aspect of paper, I use it considerately, in its simplest form, using only plant-based materials. This has opened up a reflection on our unique rhythms, the cycles of our days and changing seasons, with intention on listening to our natural environment and the need to tread lightly.
I have a studio practice on the edge of the Mendips, near Frome in Somerset and my work is represented throughout the UK, Ireland and France.
I am excited to be joining this community of paper makers and finding out about artists near and far, working in myriad ways.
Its substance emanates finesse and simplicity, although composed of modest materials – yet with complex treatment it can be taken to the other extreme, when it is rendered strong but lightweight. It is a medium of subtle and surprising contradictions.
Nowadays, something made from papier mâché is presumed to be non-precious and possibly unrefined or artless. I am drawn to this commonplace medium for that very reason – the notion that the familiar, freely accessible things which we use on a daily basis are as notable and meaningful as the rare and extraordinary.
Placing more value on the fragile aspect of paper, I use it considerately, in its simplest form, using only plant-based materials. This has opened up a reflection on our unique rhythms, the cycles of our days and changing seasons, with intention on listening to our natural environment and the need to tread lightly.
I have a studio practice on the edge of the Mendips, near Frome in Somerset and my work is represented throughout the UK, Ireland and France.
I am excited to be joining this community of paper makers and finding out about artists near and far, working in myriad ways.
