We encounter a psychological and aesthetic vision of “Body” in Asareh’s works. How with passage of time these “Bodies” go through alteration in reaction to the

“outside of self” or in other words the “evanescence” of matter.

This is a process of construction, deconstruction and reconstruction. To achieve this, she has a personal and contemporary approach to traditional methods such as

printmaking and papermaking that would allow her to encounter “occurrence” and ”accidence”.

Her method of creation is instinctual and empirical and is focalized around her obsession with details. Her process all through her creation career has been

reductionist, and over time, forms and colors have become minimized, creating a silent and quiescent atmosphere. Beside her attention to the concept of “Body”

through her career Asareh has evolved from mere “Image” to “Matter and Image” and the correlation between the two.